The Last Days of the Romanov Dancers (Kerri Turner) – Review

Posted 23 January 2019 by Katie in General Market Fiction, Historical / 1 Comment


Title: 
The Last Days of the Romanov Dancers
Author: 
Kerri Turner
Genre: 
Historical Fiction
Publisher:  HQ Fiction
Release date: 
21 January 2019
Pages: 
265

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The Last Days of the Romanov Dancers


About the Book

Petrograd, 1914. A country on a knife edge. The story of two people caught in the middle – with everything to lose…

A stunning debut from a talented new Australian voice in historical fiction.

Valentina Yershova’s position in the Romanovs’ Imperial Russian Ballet is the only thing that keeps her from the clutches of poverty. With implacable determination, she has clawed her way through the ranks, relying not only on her talent but her alliances with influential men that grant them her body, but never her heart. Then Luka Zhirkov – the gifted son of a factory worker – joins the company, and suddenly everything she has built is put at risk.

For Luka, being accepted into the company fulfils a lifelong dream. But in the eyes of his proletariat father, it makes him a traitor. As civil war tightens its grip and the country starves, Luka is torn between his growing connection to Valentina and his guilt for their lavish way of life.

For the Imperial Russian Ballet has become the ultimate symbol of Romanov indulgence, and soon the lovers are forced to choose: their country, their art, or each other.

Excerpt

    Waiting had never been so hard. Luka was tense with impatience, his palms damp with sweat despite the frosty air. So much was at stake tonight. If all went to plan, it would be the culmination of so many things he had never realised he wanted until it was almost too late. A gunshot sounded nearby. Luka didn’t jump. The violence that swamped the streets of Petrograd was no longer any surprise to him. He just hoped she would stay clear of those wielding weapons—policemen, Cossacks and revolutionaries alike. Freedom was being bought with guns and murder, and there was no way of telling any more who was the enemy.
    Another glance at his watch—the same Buhrè watch she had given him—showed it was five minutes past midnight. A new day had begun. Another day with more for them to fear. Luka’s stomach turned as he tucked the timepiece away and peered down the street again. The heavy coat he wore was pulled high around his ears in an effort to hide his face as well as keep him warm, but it also impeded his view. It didn’t matter; he could tell from the isolation that hung heavy in the frigid night air that he was alone.
    He should have waited with her. He knew that now. He should have made himself deaf to her arguments until she had no choice but to leave with him. But he hadn’t. Instead, he’d allowed himself to be swayed by her logic and had left her alone, agreeing to meet at midnight.
    Now midnight was slowly turning to morning. 
    By one o’clock his dancer’s muscles were starting to seize, unused to standing still in the cold for such a long stretch of time. He shifted his weight from foot to foot to relieve the tension, but there was only one thing on his mind.
    Where was she?
    ‘She will come,’ he whispered, as if by saying the words out loud they would have to come true.
    He repeated them over and over as the dark hours slowly ticked by. The icy air made the words stick to the walls of his throat, but somehow he forced them out. ‘She will come; I know she will.’
    She had to.

Review

Though I am both a ballet lover and a history lover, I have a limited knowledge of Russian history. What an engaging, albeit bittersweet, introduction this book was to the subject! Valentina and Luka may have been fictional characters, but their story was very much rooted in the social and political unrest in the years leading up to the Russian Revolution of 1917, with the Romanovs, Rasputin, and even Mathilde Kschessinska, the prima ballerina assoluta of the Imperial Russian Ballet, all making their presence known throughout its pages.

Valentina and Luka were fascinating characters: both passionate and driven in relation to their careers, and yet expressing those qualities in such different ways. Their personal stories had so many undercurrents of tension, not least of which was the fact that neither Valentina nor Luka ever felt truly secure or happy as they pursued their professional dreams and, eventually, a clandestine relationship with each other. And on that note, I applaud the author for keeping graphic descriptions of said relationship—and others—to a minimum!

The author’s love and knowledge of ballet shines through in a way that will be accessible even to those who know nothing about the subject, but it was the way the historical setting was brought to life, and Valentina’s and Luka’s stories within that setting, that captured me most and held me fast to the end.

It’s definitely a “Brava” from me for this fellow-Australian’s debut novel.

I received a copy of this novel from the publisher. This has not influenced the content of my review, which is my honest and unbiased opinion.

NOTE: This is a general market fiction title and has some sexual content that readers may prefer to avoid. Please contact me via the contact form if you would like more information. 

About the Author

Kerri Turner is an Australian historical fiction author who lives in Sydney with her husband and miniature schnauzer. She trained from a young age to become a ballerina, but life had other ideas for her. After gaining an Associate Degree (Dance) and Diploma of Publishing (Editing, Proofreading and Publishing), she combined her love of ballet, history and books to discover a passion for writing which far outweighed anything she’d done before. She still dances, passing on the joy of ballet to those who never got the chance to experience it – or thought their dancing years were behind them – by teaching adults-only and over-55’s classes.

Some of the highlights from Kerri’s past dancing include being cast in a solo role by the filmmaker and choreographer Rosetta Cook and learning pas de deux with the former Artistic Director of the Queensland Ballet, Harold Collins.

She is represented by Haylee Nash of The Nash Agency.

She loves to share details about her writing process, and the books she is reading, and can be found doing so on Facebook, Twitter, Instagram, Goodreads, Pinterest and Litsy.

Connect with Kerri:  Website | Facebook | Twitter | Instagram | Pinterest

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